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A brief biographical sketch

There are several authors of mystery fiction who deserve their devoted following. One is hard pressed to find many modern examples, but among the greats of the twenties, thirties and forties, several stand out. There are, of course, the great, well-known writers: Agatha Christie, Dorothy L. Sayers, John Dickson Carr, Edmund Crispin, Ngaio Marsh, and selected others. Among these great names is that of Margery Allingham.

Margery Allingham in the early 1920sMargery Louise Allingham was born in 1904, into a family where writing was a necessary part of life, and she began her career by adapting the stories of films for cinematic fan magazines. Her early novels and stories, including Blackkerchief Dick, The White Cottage Mystery and the recently discovered stories collected in The Darings of Red Rose, were strongly influenced by her earliest attempts at fiction, and have a somewhat cinematic flavour. Yet soon, Allingham began attempting detective stories in earnest, and it was in The Crime at Black Dudley that her most famous creation would be first born, that being none other than Albert Campion.

Allingham's work has been perennially popular in the United Kingdom and America, and this popularity was given a boost in 1988 with the adaptation of four of her novels (see elsewhere) for British television, starring Peter Davison in a sublime performance as Albert Campion. A second series followed in 1989, adapting another four novels. There has been no word of any further work, and although hope springs eternal, further similar adaptations seem unlikely at this juncture.

The novels of Margery Allingham have been roundly praised on several scores: for the development and endurance of her characters, the ingenuity of her plots, and the sheer impudence of the names she chose for protagonists and bit players alike. There is a joy of language in Allingham, much as there is in her contemporaries, Sayers and Christie. On the whole, she is well on par with the two former, and the three were rather an exclusive triad of writers in the thirties, at least until Dorothy Sayers stopped writing the Lord Peter Wimsey novels.

Pip and Marge at workFrom the first year of her married life until her death, Margery Allingham's work of writing was shared with her husband, Phillip Youngman Carter. Indeed, some of the later novels bear both their names in the publication credits. These works, including The Mind Readers and Cargo of Eagles depict the familiar character of Albert Campion growing into middle age, and then advanced age, with the same wit and charisma as the earliest books, if having the somewhat greater wisdom appropriate to his years. With Campion's birth set squarely in 1900 (15 May), and the ageing of characters in Allingham's novels more or less exactly following chronology with the real world, it was always a simple matter to determine Campion's age. It is not unreasonable, therefore, to assume that the man who at twenty-seven or twenty-eight saw to the affair at Black Dudley would have been in his early fifties by the events of The Tiger in the Smoke. After Margery's death, of cancer, on 30 June 1966, Youngman Carter, finally persuaded, went on to complete several of the stories which they had planned together, including the half-completed Cargo of Eagles, which was followed by Mr Campion's Farthing and Mr Campion's Falcon, which seemlessly carry the ongoing story of Albert Campion to the end of the sixties. This effort was curtailed by his own death several years later, following an operation for lung cancer, on 30 November 1969. Since the death's of Pip and Marge, Allingham's work has been overseen by her sister, Joyce, who wrote an introduction to the reissue, at long last, of The White Cottage Mystery.

On the whole, one cannot say enough in praise of Margery Allingham's work. For pure entertainment value, there are few to compare. For literary quality, she again rates quite highly (in one humble but tremendously well-informed opinion, backed by the great critic Torquemada, who, of The Fashion in Shrouds, said that Albert Campion had the distinction of appearing in the first detective story that was also a distinguished novel, or words to that effect - we won't quibble about Sinclair Lewis' similar assessment, which singled out Sayers' The Nine Tailors instead...). In short, the novels of Margery Allingham are a rare treat, not to be missed by anyone who values memorable characters, cunning plots, and fine stories all around.


-- William Nedblake


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